Da Vinci’s Visualization of Gravity was Centuries Ahead of His Time

Leonardo da Vinci, who lived from 1452 to 1519, was well ahead of the curve in exploring the concept of gravity.

It wasn’t until 1604 that Galileo Galilei would theorize that the distance covered by a falling object was proportional to the square of time elapsed and not until the late 17th century that Sir Isaac Newton would expand on that to develop a law of universal gravitation, describing how objects are attracted to one another.

In their new paper, Caltech Professor Mory Gharib and colleagues examined a combination of da Vinci’s thought and physical experiments regarding the acceleration of falling objects.

Da Vinci’s primary hurdle was being limited by the tools at his disposal. For example, he lacked a means of precisely measuring time as objects fell.

His experiments were first spotted by Professor Gharib in the Codex Arundel, a collection of papers written by da Vinci that cover science, art, and personal topics.

In early 2017, Professor Gharib was exploring da Vinci’s techniques of flow visualization to discuss with students he was teaching in a graduate course when he noticed a series of sketches showing triangles generated by sand-like particles pouring out from a jar in the Codex Arundel.

“What caught my eye was when he wrote ‘Equatione di Moti’ on the hypotenuse of one of his sketched triangles — the one that was an isosceles right triangle. I became interested to see what Leonardo meant by that phrase,” Professor Gharib said.

In his papers, da Vinci described an experiment in which a water pitcher would be moved along a straight path parallel to the ground, dumping out either water or a granular material — most likely sand — along the way.

Running Leonardo's experiments in a modern lab. (Caltech)

His notes make it clear that he was aware that the water or sand would not fall at a constant velocity but rather would accelerate — also that the material stops accelerating horizontally, as it is no longer influenced by the pitcher, and that its acceleration is purely downward due to gravity.

If the pitcher moves at a constant speed, the line created by falling material is vertical, so no triangle forms.

If the pitcher accelerates at a constant rate, the line created by the collection of falling material makes a straight but slanted line, which then forms a triangle.

And, as da Vinci pointed out in a key diagram, if the pitcher’s motion is accelerated at the same rate that gravity accelerates the falling material, it creates an equilateral triangle — which is what Professor Gharib originally noticed that da Vinci had highlighted with the note ‘Equatione di Moti,’ or ‘equalization (equivalence) of motions.’

Da Vinci sought to mathematically describe that acceleration. It is here, according to the study’s authors, that he didn’t quite hit the mark.

To explore da Vinci’s process, Professor Gharib and co-authors used computer modeling to run his water vase experiment. Doing so yielded da Vinci’s error.

“What we saw is that Leonardo wrestled with this, but he modeled it as the falling object’s distance was proportional to 2 to the t power — with t representing time — instead proportional to t squared,” said Cornell University’s Dr. Chris Roh.

“It’s wrong, but we later found out that he used this sort of wrong equation in the correct way.”

In his notes, da Vinci illustrated an object falling for up to four intervals of time — a period through which graphs of both types of equations line up closely.

“We don’t know if da Vinci did further experiments or probed this question more deeply,” Professor Gharib said.

“But the fact that he was grappling with this problem in this way — in the early 1500s — demonstrates just how far ahead his thinking was.”


Morteza Gharib et al. Leonardo da Vinci’s Visualization of Gravity as a Form of Acceleration. Leonardo, published online November 28, 2022; doi: 10.1162/leon_a_02322